https://www.felicegrodin.com/home daily 1.0 2024-06-12 https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e7aa0236-5950-451f-94c0-c0a06a987dc4/1_mezzbug_analog_1425x1000.png https://www.felicegrodin.com/about daily 0.75 2024-06-11 https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/79b62984-4891-40eb-8816-bb44b8b46ca0/felice_halftone_coarse_2000+2.png https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/b3dca578-6dd7-4137-b4a6-6939c84bf5a0/document_pink.png https://www.felicegrodin.com/contact daily 0.75 2026-07-29 https://www.felicegrodin.com/work daily 0.75 2026-09-25 https://www.felicegrodin.com/work/drawings monthly 0.5 2023-01-06 https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/1600130480671-G615BST44TNWENNO9HC6/batch_A.2+copy.jpg work - drawings SURFACE(31), ink on Mylar, 24" x 36", (2005) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/992d7269-f82a-4234-925e-9cd2a18ae66d/batch_A.1_orginal.jpg work - drawings UNDERLAY(31), ink on Mylar, 24" x 36", (2005) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/1600130499417-1JNGILXLOBQC43NZ1TRF/batch_A.3+copy.jpg work - drawings UNTITLED(32), ink on Mylar, 24" x 36", (2005) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/6c1a435f-6337-436b-b546-78cd9cabd50a/batch_B.3_edited.jpg work - drawings DOILY, ink on Mylar, 24" x 36", (2005) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/2ee10303-ae3a-4dec-a6a2-27ef89401b8c/batch_B.2_edited.jpg work - drawings FALL, ink on Mylar, 24" x 36", (2005) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/b011f446-d12c-47dd-a662-57f055a458a2/batch_B.4_orginal.jpg work - drawings BLOOD, SWEAT & TEARS, ink on Mylar, 24" x 36", (2005) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/739e839d-da58-4d9c-92e1-3c8220b9ff3c/batch_B.5_orginal.jpg work - drawings UNTITLED(02), ink on Mylar, 24" x 36", (2006) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/acfeed74-b8e3-4341-83b7-f499419ab538/batch_C.2_original.png work - drawings RED FLAG, ink on Mylar, 30" x 42", (2006) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/cf4341ad-3b6e-4c3b-99b6-531f5d2bccc9/batch_D.1_original.png work - drawings BENEATH JAMES CENTRAL TOWER, ink on Mylar, 42" x 96", (2008) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/0ed074d7-7381-4fe3-b087-2e5354405001/batch_C.5_original.png work - drawings WHERE ANGELS FEAR TO TREAD, ink on Mylar, 42" x 64", (2008) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/f3680fe9-9d90-43fb-b9aa-29f44e8dd21d/batch_D.6_original.png work - drawings NETWORKED, ink on Mylar, 31" x 48", (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/fafe586f-daab-470c-adae-42c5338ba60e/batch_D.6a_original.png work - drawings detail of NETWORKED https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e0e46bf9-dd4d-4fe4-9d1c-e894bd7dc56f/batch_D.5_original.png work - drawings META_MORPHOSIS, ink on Mylar, 41" x 62", (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/0943cf8f-0378-409c-96ac-ff1d4a6eeeda/batch_D.4_original.png work - drawings THE OLD MOLE AND THE PREFIX SUR, ink on Mylar, 62" x 42.5", (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e6ef3301-8200-418a-989a-1de271f62c11/batch_D.8_original.png work - drawings UNITED STATES, ink on Mylar, 16" x 40", (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/cc1c527e-5dae-41c1-b076-0dc65aa42140/batch_D.9_original.png work - drawings DATA STREAMING WITH AN ALIEN SPECIES, ink on Mylar, 26" x 92", (2013) https://www.felicegrodin.com/work/video monthly 0.5 2026-09-25 https://www.felicegrodin.com/work/augmented-reality monthly 0.5 2026-09-25 https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/de82cfbe-8c2c-4f14-bfca-c3db0ef0089f/Picture5.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/5d26696c-a9a9-42b1-bd8f-bfeebd1245fc/doily_original2.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/9799811a-eec5-4ee2-8af8-5238e420b1c5/batch_D.9_original.png work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/3f5be9fe-4e07-44be-86d9-a21516504b78/IMG_7099.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/dd8a08cd-d9b2-45ab-a62a-67c264c6acde/Flightware_TRACKING_still.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/26a248ec-36d2-4cc1-a20c-768a65d45254/2_The+9th+Ecosystem_B.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/3ac6bea9-9fff-469f-ba3b-7dbf3c6d4173/1.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/7a2f6df7-27c0-43e1-ae33-8d9ad2b66230/Field+Report_2518_UPDATED+%28Time+0_05_11%3B18%29.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/6bff77b2-fd53-4928-8cef-209fba9369fe/3_Mezzbug_digital3D.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/2f102129-397a-49c1-a2ce-3855ac0ef867/IM_MOVABLE+ASSETS_Google+Earth.2.png work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e617b047-8db4-4603-ae30-6fff07edc1a1/2_The+9th+Ecosystem_A.JPG work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/a89fc9f6-2aa0-43cb-8fcc-1f59702ff792/Tfish9.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/03121c04-78c9-43c4-a1ac-e913b6fc21be/5_Field+Report+%5B2518%5D_A.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/1082cff5-f680-438e-926e-03e39ac5e2ff/1_Mezzbug_A.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/bd33478e-5ce8-408d-b4ee-8faeefc82b6e/IM_MOVABLE+ASSETS_air+%2B+ground+transportation.png work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/981f820a-ecc5-4eae-9877-b23ef61f414a/Mezzbug+goes+to+the+beach.15.JPG work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/2bcd7936-c01d-4f03-9a13-82fb6fe183b7/3_image+of+ipad+within+area+of+artwork.PNG work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/3d1b354e-dedc-4b5f-995d-24ff4c397fa1/4_Terrafish_E.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/376447e7-cc61-4715-a7fc-5cd3bb743d35/f30b101a27d56778da6a20e85e43ea1c.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/bdb1e40c-b49f-476b-9448-c720d0426047/5_Field+Report+%5B2518%5D_C.png work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/2c74f9d5-a17e-4d02-8d62-8ecec9fd7277/Mezzbug.3.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/8b1c84b4-05dd-4466-af95-08e662ca46b8/MIA.png work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/77e63b2e-4a2d-4dc5-826d-ae77bc92b5df/progress_untitled.2.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/fbe5e417-c853-4ae1-9941-50170ed4337a/Felice+Grodin_Deering+Estate.JPG work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/033df675-238a-4603-8fe6-d3617dba15f3/5_Field+Report+%5B2518%5D_D.png work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/214934bb-9cac-4e1d-9792-d1a9a5882908/IMG_0101.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/417025b1-5829-4363-a108-b4618192cbd6/IM_MOVABLE+ASSETS_AR.2.png work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/5a4b9cd8-45e5-4a56-9123-58453a21274b/2_image+of+QR+code+_signage-Deering.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/7fa26494-2964-436c-bea5-ba6894b868c4/felice_grodin_interface.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/ee1e58f0-4c6c-4ad7-8e5d-a7ddd7ee4ad8/IMG_0105.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/18ff966c-14c7-4520-8b05-d9040242df47/IMG_0104.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/5d252cd1-3375-485b-aa1f-ea8253dfec2c/Picture8.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/9b331e7c-f485-4e65-8720-91edcd65bfb2/Untitled.2.JPG work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/00ec2536-2549-4323-9d8a-1e6e5d58466c/IMG_0109.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/6261d2bc-f149-4594-b76c-cf48ee0b5c63/Untitled.3.JPG work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e2c0ed8d-e3c6-4300-bc39-04b08eacaada/IMG_0100.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/d0136958-6377-4698-bb91-30c3a1d95206/2_knightplaza_migration.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/1b1e825e-8d04-4a2e-a0c7-aeb61dee5dc4/IMG_0934.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/19c30c06-9625-4f69-aa17-0ab95aabd8ab/text-Mezzbug.3.JPG work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/f13d41ef-549a-46fe-9fb7-cb820d007ec1/4_knightplaza_detail.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/039bedaf-3588-4aea-ba89-1ed2f45f711c/3_Knightquarry_A.jpg work - augmented reality (AR) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/f4829586-27ef-425b-9770-70e1cf72f059/IMG_0111.jpg work - augmented reality (AR) https://www.felicegrodin.com/work/sculpture monthly 0.5 2023-01-06 https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/9af56d99-bde7-4921-84f2-6b81d3f455d0/batch_A.1a.png work - sculpture METROPOLIS REX, foamcore & chipboard, 43" x 89.5" x 60", (2007) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/74b05935-7f37-4813-b1be-6a306435ffff/batch_A.1e.png work - sculpture detail of METROPOLIS REX https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/8daed85a-ed40-43fb-982a-6fd0440e4d94/batch_A.1g.png work - sculpture detail of METROPOLIS REX https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/d3c55445-f8bc-43f4-a9a0-894bbf74abe1/batch_B.1a.jpg work - sculpture BLOOD MERIDIAN, foamcore & corrugated plastic, 138" x 23" x 9.5", (2008) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/38021fce-6053-45ba-846a-164dcd676f94/batch_B.1b.jpg work - sculpture BLOOD MERIDIAN, foamcore & corrugated plastic, 138" x 23" x 9.5", (2008) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/6757f8e8-8ddf-46b2-9585-1f30c5b2fe37/batch_B.1c.jpg work - sculpture detail of BLOOD MERIDIAN https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/26f7e3c4-7a8d-48e5-ab22-cf3b55d1bc39/batch_D.1a.JPG work - sculpture RISING / FALLING INDEX, corrugated plastic, 96" x 6" x 30", (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/4bb4a75e-900c-4ece-a96b-a4d6f4294b8e/batch_D.1b.JPG work - sculpture detail of RISING / FALLING INDEX https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/d7bd98ce-605b-4e53-8e2d-47d409f674c4/batch_D.1c.JPG work - sculpture detail of RISING / FALLING INDEX https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/4acfb3ca-1b41-437f-8dc6-79cf173fda1a/batch_E.2a.jpg work - sculpture FRAGMENT REMOVED FROM ITS EMERGENT PATTERN, bass & cherry wood, 87" x +/-2" x +/-2", (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/ad3ea199-4a13-418f-8fb8-5a8c6678789c/batch_E.2b.jpg work - sculpture detail of FRAGMENT REMOVED FROM ITS EMERGENT PATTERN https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/25e32671-ac82-4b5b-b913-639b80972927/batch_E.2c.JPG work - sculpture detail of FRAGMENT REMOVED FROM ITS EMERGENT PATTERN https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/36427648-748d-4609-8738-c012cbceadd1/batch_E.3b.JPG work - sculpture GROWTH SPURT, bass & cherry wood, 86" x 100" x 52", (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/8cdb77e9-f82f-4952-b117-be6c859dee2a/batch_E.3c.JPG work - sculpture GROWTH SPURT, bass & cherry wood, 86" x 100" x 52", (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/1af801e2-3220-4060-930a-eaf3c68d72b9/batch_E.3f.JPG work - sculpture detail of GROWTH SPURT https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/fa4b2ee8-2113-4c04-89ce-6c41b64e881f/batch_E.3e.JPG work - sculpture detail of GROWTH SPURT https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/3cb935b4-0dc4-4410-868a-b05a9a5a29cc/batch_G.1a.jpeg work - sculpture 3D_ASSETS was a response to the reification of building construction and architecture for investment property. In the context of "E-State Realisms", the goal was to attempt from within the framework of asset production to create a mutation or possible sets of variants in which the work could circulate from the standpoint of art, architecture and marketing. The hope is to liberate more specifically computation and digitality in design from bending solely to the rules of capitalist and market limitations, questioning whether digitality can rupture the very limit it has been ascribed to. I think it is a chess game, and 3D_assets are chess pieces, 3D_ASSETS, still of digital models, (2018) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/6eef8ccd-5dee-4c56-b89b-71b5bf9d2cdf/IMG_9107.jpg work - sculpture 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/c80ef7e9-4bde-4954-88fb-359541f3c802/batch_G.1c.jpg work - sculpture fabrication of 3D_ASSETS https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/39817c3b-5efa-4f64-8204-7fe4ef7a1239/3d_assets.1.jpeg work - sculpture 3D_ASSETS, still of digital models, (2018) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/39756a50-0c2e-41da-a636-5424658e48f0/batch_F.1e.jpg work - sculpture VIEW OF EXHIBITION: E-STATE REALISMS (2018), Oolite Arts, Miami Beach, 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018), photo by Zack Balber, image courtesy of Oolite Arts https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/f0254541-bab5-4958-b4a4-1ecbc7b254fd/07_W_EstateRealisms_ZacharyBalber.jpg work - sculpture VIEW OF EXHIBITION: E-STATE REALISMS (2018), Oolite Arts, Miami Beach FL, 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018), photo by Zack Balber, image courtesy of Oolite Arts https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/62b8fbc5-0073-4970-94d9-199d67771f43/1.jpg work - sculpture Something that is born in virtual space, (co)produced by someone's fingertips, becomes someone's home, someone's office -- someone's 'property.' Is there another way to work? I'm interested in conflating the usual flows by infiltrating them first. Let's see where it goes..., 3D_ASSETS, MODEL 6, still of digital model , (2019) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/feb63d7d-4426-4ce3-88d6-401c5a21ab55/IMG_1045.jpg work - sculpture 3D_ASSETS, MODEL G (for group exhibition 10-A DECADE), mixed media: framed digital prints, 3D prints on painted CNC base & shelf, dimensions variable (2019), Dimensions Variable, Miami https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e03ac1e7-778e-423a-834c-eeb270bf788a/3.jpg work - sculpture 3D_ASSETS, MODEL 6, still of digital model, (2019) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/4f4947a0-bf34-4378-9131-cd654983ac3f/IMG_1037.jpg work - sculpture detail of 3D_ASSETS, MODEL G https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/5ce5b70d-6488-4929-a526-1b6b821c67b5/IMG_1039.jpg work - sculpture detail of 3D_ASSETS, MODEL G https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/7699e7a7-46db-41b7-9f97-b9238bee02e7/IMG_9509.jpg work - sculpture detail of 3D_ASSETS, MODEL G https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/4bd8e66b-f064-4599-be1c-f70911bf698a/batch_H.1a.jpg work - sculpture Oolite Arts’ Shares program uses the model of supporting local agriculture and adapts it to support South Florida artists. When a collector purchases a Community Supported Art Share (CSA), they receive nine pieces of art, each commissioned by a local Miami artist. Because the artist creates artworks for (50) shares, I decided to create a series of 5 ‘pearls’ - (10) prints each. I collaborated with Miami Beach Urban Studios (MBUS), a fabrication lab associated with Florida International University (FIU), PEARLS, stills of digital models, (2020) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/ee772b9e-a54e-4d23-87cb-588574379a8f/IMG_3213.jpg work - sculpture detail of VIP GIFT_NATURAL https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/3d4b0a66-6f51-497b-a8b8-7eed38e1c0f3/Untitled.png work - sculpture VIP GIFT (for support of group exhibition 10-A DECADE), still of digital model, (2020) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/5297ca4c-ae01-4574-a5b3-b59b1263b98a/IMG_3196.jpg work - sculpture VIP GIFT (for support of group exhibition 10-A DECADE), (6) 3D prints, +/-5" diameter, (2020), Dimensions Variable, Miami https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/7a513abf-ce3c-43c9-84fe-43602c79e187/batch_H.1b.jpg work - sculpture CSA SHARES : PEARLS (through Oolite Arts), 3D prints, edition of 50/10 each, +/-5" diameter, (2020) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/acaae8a2-b2fa-4296-8fb5-e6027e162149/batch_H.1c.JPG work - sculpture editions (50/10 each) of PEARLS https://www.felicegrodin.com/work/installation monthly 0.5 2026-09-24 https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/67d211b7-3a6c-4c1c-a1bc-189b9583ce79/batch_A.1a.jpg work - installation There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: there is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to…The Outer Limits. — Opening narration, The Control Voice, 1960s https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/d485e3a9-d56c-44d8-a4fc-722b33e28803/batch_A.1b.jpg work - installation THE OUTER LIMITS: Exploring the overlaps between space, place and artifact—a perforation is introduced. A moment, a window, and a possibility that may transmit a disruption in the fabric of Dimensions Variable by introducing a variable dimension. https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/f370254c-890f-43c5-a530-3cc5358e43cb/batch_A.1j.jpg work - installation THE OUTER LIMITS, image of scale model (2011) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/7322af41-0ac0-4ace-a400-9d2acd9958a2/batch_A.1k.jpg work - installation THE OUTER LIMITS, fabric wrapped panels & video with audio (2011), Dimensions Variable, Miami https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/9718f4d8-f731-478b-98fe-7d48b1c1a03d/batch_A.1f.jpg work - installation THE OUTER LIMITS, image of scale model (2011) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/00c48e85-2c5b-4cdd-ac40-5d7f2bd58a93/batch_A.1d.jpg work - installation detail of THE OUTER LIMITS https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/6a9d4f3b-95a4-4c63-930f-4f78049fbe00/batch_A.1m.jpg work - installation THE OUTER LIMITS, (collaboration with Samantha Salzinger), fabric wrapped panels & video with audio (2011), Dimensions Variable, Miami https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/8c691dfd-2917-4b93-8acd-8e194844502a/batch_A.1q.jpg work - installation detail of THE OUTER LIMITS https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/fa821210-a3e4-4592-8e97-b6089e066064/batch_A.1u.jpg work - installation exterior view of THE OUTER LIMITS https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/d009014d-3ea8-4cc0-b012-8396712af4b0/TRACE_carta1.jpg work - installation PRELUDE: “Meaning is wrought from the undecidable text only when a portion of the field of reference has been provisionally and contingently isolated or “framed,” that is, when most of the interminable directions of reference are repressed so that one privileged direction of referral emerges, as if from a signifier to a signified. Yet the other threads of reference cannot simply be erased to yield the desired meaning. Framing produces meaning only in and as the violent repression of other strands of meaning which nevertheless continue to occupy the text, a condition that deconstruction, borrowing from Freud, refers to as the return of the repressed.” Jeffrey Kipnis, “Nolo Contendere,” Assemblage 11 April 1990: 54-57, digital rendering, (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/b4e0883c-86cc-443c-a418-cedabd446203/TRACE_carta2.jpg work - installation PRECIS: A trace operates simultaneously by both pronouncing an existing condition and reframing that condition against other conditions. Depending on how this is strategized, the trace is both active and passive as our minds eye reads and rereads the trace (figure) against its background (field). digital rendering, (2012) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/00e025a3-753f-4f48-829e-7178bfa287c6/batch_B.1c.jpg work - installation STRATEGY: At the MBUS gallery the existing gallery walls are lit by standard track lights that may be focused on standard framed and wall hung objects of art. I attempt to reframe this traditional presentation of art by creating a reverse negative condition. I will map the space between the track lights and feature the negative space of light on the blank wall itself. The ambition of this exploration lies in the consideration of how one potentially may pause to consider a work of art itself. https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/0788ee86-3d13-497d-ae1e-198d711d247a/batch_B.1h.jpg work - installation TRACE (for group exhibition IMPERMANENCE), red Coraplast & glue (2012), Miami Beach Urban Studios (MBUS), Miami Beach https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/96618c14-b044-4961-991e-c19f411a5854/batch_B.1i.jpg work - installation TRACE (for group exhibition IMPERMANENCE), red corrugated plastic & glue (2012), Miami Beach Urban Studios (MBUS), Miami Beach https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/30c4d3fc-5865-43b5-8625-7c1d04b50e34/batch_B.1g.jpg work - installation detail of TRACE https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/97ecb231-d05a-4cd7-819e-a1ab9c37acab/IMG_6926.JPG work - installation FEELING PLASTIC: “Before any local corpus (the biological body, formal economics, military state, legal corporation, geographic nation, scientific accounting, sculptural debris, or immanent theology) can conserve and appreciate its self-image within the boundaries of its preferred reflection, already its Vitruvian conceits of diagrammatic idealization, historical agency, radiating concentric waves of embodiment, instrumental prostheticization, and manifest cognition are, each in sequence, unwoven by the radically asymmetrical indifferences of plastic matter across unthinkable scales, both temporal and spatial. But while the received brief for political aesthetics is denuded, abnormal assignments proliferate.” Benjamin Bratton, ‘Some Trace Effects of the Post-Anthropocene: On Accelerationist Geopolitical Aesthetics’, e-flux, journal #4657, still of digital model, (2015) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/15986b54-86db-4074-be99-54bca4a13ac4/batch_D.1e.jpg work - installation FEELING PLASTIC: Plastic is a material that we consume, mold, ship and disperse. It is also the core of our material economic relations – they are made from oil. In addition, we are ‘plastic.’ We are consumed, molded, shipped and dispersed in the 21st century form of social production. With virtual bodies, affecting our actual bodies, and vice versa, what is it to both materially and immaterially ‘feel plastic?’, still of digital model, (2015) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/a2afa373-1bb4-443a-8aeb-14cefb873a39/batch_D.1f.jpg work - installation FEELING PLASTIC (for group exhibition 4409.72 miles 9125 days 25 years of art discourse from Buenos Aires to Miami), 8’ x 8’-6” x 20’ corrugated steel shipping container & 3” x 1/8” x various cut lengths of translucent corrugated plastic corrugated glued to support frame & minimum 1/4” mirrored paper on floor and illuminated rear wall (2015), Diana Lowenstein Gallery, Miami FL https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/541aa340-cc4a-40cf-a4fe-365aa5447aa2/batch_D.1h.jpg work - installation interior of FEELING PLASTIC https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/71716450-ef98-41b1-ac28-fa5b8995f313/batch_D.1g.jpg work - installation interior of FEELING PLASTIC https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/6a0f737b-b044-4a6d-b8e2-05ccbd2e9562/IMG_7199.JPG work - installation FEELING PLASTIC (for group exhibition 4409.72 miles 9125 days 25 years of art discourse from Buenos Aires to Miami), 8’ x 8’-6” x 20’ corrugated steel shipping container & 3” x 1/8” x various cut lengths of translucent corrugated plastic corrugated glued to support frame & minimum 1/4” mirrored paper on floor and illuminated rear wall (2015), Diana Lowenstein Gallery, Miami https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/6af14c36-d824-487f-8db2-6740a47b8e0d/batch_D.1j.jpg work - installation interior of FEELING PLASTIC https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/2883f86f-9816-4704-b01e-838f40001206/batch_D.1l.jpg work - installation interior of FEELING PLASTIC https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/80cd32d4-610e-4e0a-a393-73b081b288f2/batch_D.1m.jpg work - installation detail of FEELING PLASTIC https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/286a6d97-820a-457e-b37c-24c625cbd833/batch_C.1b.jpg work - installation A FABRICATED FIELD: "The clumped formations rise like beanstalks or cypress knees through the space, creating a visual contrast between the machined plane and the organic bundles that belies an inter-territorial tension. This tension serves to bind, or speculatively fold in the outside, considering edges beyond the anthropocentric. Grodin concludes, 'If we think of the necessity of survival through migration, a movement, an interface, or a trajectory speaks of the evolution of all species in the face of extinction. This requires a sideways glance to create such abstract spaces. Rather than grasping at individual straws my work attempts to assemble fields of straws as speculative landscapes'.” https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/3d4c9383-26b2-43e3-88b0-850e9fc6f820/batch_C.1d.jpg work - installation A FABRICATED FIELD: "Trained as an architect, Grodin situates her artistic practice within the realm of geophilosophy—a field of thought that considers the formations between territories. For her installation, Grodin will fabricate a raised sub-floor encompassing the entirety of the project room. Gaps between the standard 4’x8’ grid of plywood sheets allow for another system to emerge. Bundles of wooden sticks rise at irregular intervals, both subverting the grid and binding it together like mycelium to create an all-encompassing installation", still of digital model (2014), Project Room, Locust Projects, Miami https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/0ba5157f-0006-4f7c-a8cf-f9f3629cdbfc/batch_C.1i.jpg work - installation A FABRICATED FIELD, hundreds of bass wood sticks were glued together by hand over the span of one year to create (11) floor sculptures & (11) ceiling sculptures, (2014) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/2d4a940c-4a0e-41f7-a129-10ed64f5e31e/batch_C.1l.jpg work - installation A FABRICATED FIELD, close-up view of 'stalks', (2014) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/02499357-274a-49fb-a360-26ff0c64525d/IMG_6472.JPG work - installation A FABRICATED FIELD, view of 'stalks' before installation, (2014) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/a5fd5256-34b6-4d1b-9930-7be7cc44778d/IMG_3935.JPG work - installation A FABRICATED FIELD, view of plywood before installation, (2014) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/9f412282-3e9e-4f93-8fbf-4ef2f908e050/IMG_6466.JPG work - installation A FABRICATED FIELD, view of all components before installation, (2014) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/58e148dd-fbf9-47a6-8614-a1e6dd0c877c/IMG_4149.JPG work - installation view of A FABRICATED FIELD during installation https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/b64625d0-dd30-47f8-bba2-43e013592169/batch_C.1u.jpg work - installation view of A FABRICATED FIELD, photo by Zack Balber, image courtesy of Locust Projects https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e5a10c69-82bd-489a-95e3-165cf5047754/batch_C.1t.jpg work - installation view of A FABRICATED FIELD, photo by Zack Balber, image courtesy of Locust Projects https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/4a7721d4-587a-4ae8-8b21-2b54c1a38956/batch_C.1v.jpg work - installation view of A FABRICATED FIELD, photo by Zack Balber, image courtesy of Locust Projects https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/7e669af2-213f-4ffb-afaf-bd3933f7be48/IMG_4251.JPG work - installation detail of A FABRICATED FIELD https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/7175bdbf-9d02-4bec-b3ec-7e87d9a5ae2c/batch_C.1r.jpg work - installation detail of A FABRICATED FIELD https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/35ab45c2-2024-4df8-a4f1-fb879ac09129/batch_C.1q.jpg work - installation detail of A FABRICATED FIELD https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/50a64519-0663-4e98-b766-ff5c19f25bbc/batch_C.1y.jpg work - installation detail of A FABRICATED FIELD https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/78cb1af4-812a-4e39-87bd-b23ea5aed18c/FibonacciSpiral.jpg work - installation SPIKE: According to Wikipedia "The golden ratio has also been used to analyze the proportions of natural objects as well as man-made systems such as financial markets, in some cases based on dubious fits to data." Therefore there is a connection, a spiraling trajectory, between the idea of market spikes and real estate specifically within the context of Miami. Also according to Wikipedia the Alfred I. DuPont Building "is an example of Moderne architecture and was the first skyscraper built after the County courthouse and the bust of 1928. Thus it represents Miami's emergence from the great depression." https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/4befa10f-571c-4de4-aeaa-300c4fa51b01/IMG_5852.JPG work - installation detail of SPIKE during installation https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/86461ddd-d975-4d6d-bea4-30a6c402e898/market_spike_9.jpg work - installation SPIKE: The original ground 'stalks' used in A FABRICATED FIELD, Project Room, Locust Projects, Miami FL, are re-deployed in a diorama setting within the historic Alfred I. DuPont Building in downtown Miami, still of digital model, (2014). This project was commissioned by Tiliarts' Diorama Project. SPIKE, still of digital model (2014) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/4ffe2d67-71e6-4b6d-ac07-300e92271baf/IMG_5875.JPG work - installation view of SPIKE https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e94229c4-6ffd-435f-a946-d874b21b827d/IMG_5879.JPG work - installation view of SPIKE https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/b15bae21-b4c3-4000-9667-0e29f9d92e48/IMG_5886.JPG work - installation view of SPIKE https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/e0bafb92-f247-4860-9d2c-5f3af83addc4/IMG_5918.JPG work - installation view of SPIKE https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/d7ebb0c7-aa56-4305-814e-c37fe45347f2/Flice-Grodin-View-from-Bottom-1.jpg work - installation detail of SPIKE https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/9d86c52c-0465-462b-8c1f-bf83b808737c/Dioramas-Hallway-1.jpg work - installation view of SPIKE https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/a4edc1ea-e94a-4d77-84fc-85b319491b2b/batch_F.1a.jpg work - installation IN THE STICKS: (collaboration with Linda Chamorro) will utilize one of Grodin’s previous works, A FABRICATED FIELD (grounds 'stalks'), originally installed at Locust Projects in Miami in 2014, and re-contextualize it outside the domain of the art gallery and into a rural setting. The fabricated field of bundled wooden sticks will be installed in an undisclosed location in the Redland agricultural district – a highly managed landscape on what was formerly a mosaic of freshwater wetland and rockland forest. In doing so, it aims to interrogate the perceived separate spheres of cultural spaces (which produce with ideas), agricultural spaces (which produce with land), and ecological spaces (which produce with wind, fire, water, and seed). By returning the sticks ‘to the sticks’ they will in time break down and return carbon to soil. We de-fabricate the field, engaging in a ritual of re-integration. This project was part of the A.I.M. Biennial, (2020) https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/683745a8-7e6d-4f70-b8dd-6e750a6abdfe/In+the+Sticks_4.jpg work - installation detail of IN THE STICKS during installation https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/53d23985-a9bf-4a30-be3f-bc063f31a0c4/In+the+Sticks_FINAL+PIECE+FOR+WEBSITE.jpg work - installation view of IN THE STICKS https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/ab8aafe3-88f4-46fa-be79-e296fd06948e/day4_f.jpg work - installation view of IN THE STICKS https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/1c929788-eeaf-4bfe-a244-157dd494011d/day4_g.jpg work - installation view of IN THE STICKS https://images.squarespace-cdn.com/content/v1/5f5bf7f36d4a8c509a2f211a/29c5ff9b-ea7c-4c14-91a0-0785927bd315/batch_F.2a.JPG work - installation view of IN THE STICKS, (2021) - one year later